Mai on Netflix : Hell hath no fury like a mother wronged

Sakshi Tanwar - the hugely underutilized acting powerhouse - is on prowl here, armed with her sharp acting chops on full display.

“Meri Gudiya ko kisne maara?”

(who killed my innocent daughter Gudiya?)

When Sheel Chaudhary, brilliantly played by Sakshi Tanwar hisses these words through the currently trending Netflix India series, Mai, you know better than to cross this hurting mother.

I had been hearing and reading (mostly) good things about Mai. All reviews were not raving or particularly positive but more of a mixed bag, leaning towards positive. This is generally a good sign for me to watch something when I don’t see very black and white opinions about it. Sure, if most people find something as bad, it’s generally bad and one can steer clear of that content.

However, I’ve been let down, sometimes hugely by the madly positive reviews, more than once and now I’m generally skeptical of that. So mixed reviews and people feeling the need to analyze the series for its characters, plots, subplots, text and subtext were good signs for me to invest my time over the weekend in binging upon this new series.

Watch Official Trailer Here

And then there were those extremely funny memes also trending around intriguing me to check this series out.

So last Saturday afternoon, I sat down with a bowl of my favorite caramel popcorn on one side and my husband on the other to wander in the spinning world of Mai. And it didn’t disappoint despite many obvious and sometimes even cringeworthy pitfalls in its narrative.

Word of caution, this is more of an unfolding of how and why it’s done rather than whodunit.

It doesn’t work as a murder mystery rather a revenge thriller drama. Mai is not a new and path breaking story. A hurt mother out to seek revenge and protection for her family is nothing new.

Mai works because of how the story of its lead character is told.

I wasn’t surprised that this gripping revenge thriller is coming from the Clean Slate Filmz founded by Anushka Sharma. This production house has been giving us gritty and gripping Indian OTT content in the last couple of years and Mai, though weaker than the earlier outings, still is very much in the same spectrum.

I had written in detail about Bulbbul, a Netflix Original movie by the same production house earlier in 2020 (read my review of Bulbbul here). And after that, I could not continue writing here owing to the paucity of time mixed with my own laziness. So it’s kind of poetic that I’m resuming writing here with another OTT content by the same team after they gave us Bulbbul about a couple of years ago.

So let’s wander in the dark, grim and gritty world of Mai and see what works and doesn’t in this series.

Mai has an ambience. The colors on screen are a bit muted. The characters have a next door-sy feeling and the events take place in our everyday neighborhood. The labyrinth of Lucknow gives a good backdrop to some scenes and the city itself lends a character to the narrative. The characters are styled meticulously keeping their persona, lifestyle, work environment and situations in mind.

The styling here is beautifully understated and integral to each character instead of overpowering them. Even when there is a high class prostitute turned don’s favorite turned don, Neelam (played by Raima Sen), it’s not over the top. Neelam knows how to do power dressing right and earn her respect in this male bastion.

The careful detailing of key characters is the biggest plus point of this series and what makes it work. Sure, there are some half baked characters and seemingly unnecessary subplots, sometimes dragging the pace of the things, however the key characters are well developed and strike the right chord with the audience. And the season leaves no doubts that there is going to be a following season so ample chance to dig deeper into those characters and subplots if makers want to.

All in all, Mai represents the everyday life of main characters and their styling lends a certain authenticity to the story.

Here are some serious character design and style takeaways from this thrilling drama.

The pitfalls are quite obvious.

The story of a shy mother transforming into a killing machine is not something fresh. It has its own obvious traps and many times relies too much on viewers’ leniency to believe. The lead character faces very little resistance in her difficult quest and goes on to murder without hiccups. She is also not shown to have any remorse even after her first, and wrong, murder.

At times, Sheel’s character demands too many leaps of faith from the viewers. She operates and succeeds like a trained covert operative; however she has not as much spoken against wrongdoings in her own family before becoming a merciless killing machine.

There are too many characters and subplots in this short series and not all add to the story. Both story and editing could have been tighter. Some really fine actors are also kind of wasted in half baked characters and have not been able to show their acting range.

Raima Sen seems like a miscast in this role and felt like she was uncomfortable in getting under the skin of her role. Also her character had a lot more scope to be developed but is treated with haste. I was hoping that it would be interesting to see her in this role after a long while but it’s more of a let down.

Vivek Mushran doesn’t have much to do here and his subplot with another woman adds nothing to the story. Not sure if he will have a meatier role in the following season.

But the biggest let down was wasting talents like Seema Pahwa and Prashant Narayanan. Both are powerhouse characters and could have made for very interesting casting and narrative if given space. And yet, both are hugely wasted in their poorly written roles. Let’s hope that their characters have better outings in the following season.

I’ll definitely look forward to and watch the following season despite these pitfalls as this is definitely a good try towards making strong female narratives and it is also good entertainment.

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